"It's difficult."Įnya was born Eithne Ni Bhraonain in the Republic of Ireland in 1961, one of nine children. And even though the person will understand that at the beginning, there is something like jealousy towards the music after a while." She sighs. It's quite hard to have someone accept that - well, not that they are second to the music, but that I do need a certain amount of space for it. "But as the song suggests, there have been. She has never married, never had children. Home is a large castle just outside Dublin. One of the things that plays so well into the Enya enigma is that she lives alone, and by all accounts always has done.
I've never done a heartbreak song before." "Wonder why this love is over, wonder why it's not forever," she sings. The track Even In The Shadows, for one, is surely a lament to lost love. I do not spot the hip-hop influence, but she does perhaps express more naked emotion on this record than she has on predecessors.
She points out that several songs here have a stronger beat, and even a little hip-hop influence. "Oh, but I always feel I am doing something completely different with each new album," she claims, telling me she is a fan of both Green Day and P Diddy, and influenced by both. It is aural bubble bath, serene and celestial. The material they create is music for cathedrals, for yoga sessions. Like everything she has ever done, it is instantaneously recognisable as the work of the three people that have always toiled to make Enya Enya: producer Nicky Ryan, his lyricist wife Roma, and the woman herself, who writes all the music, sings the songs, and publicly fronts the project.
Her new album, Dark Sky Island, is her first in seven years. "I've been told I have a cross-generational appeal," she says, "and that people who used to like Orinoco Flow are now playing my music to their children. It's been a long time since U2 sold 16 million albums. Her 2000 album, A Day Without Rain, for example, which didn't feature in any critic's best-of-year polls, sold 16 million copies around the world.
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Receive today's headlines directly to your inbox every morning and evening, with our free daily newsletter.Įnter email address This field is required Sign UpĮach album has sold remarkably well despite precious little promotion, and a curious refusal to tour. Hers is the purest voice this side of angels, but Enya has a distinct advantage over the angels: she exists.ĭaily Headlines & Evening Telegraph Newsletter Since 1988's breakthrough album, Watermark, which featured the worldwide hit Orinoco Flow, a gossamer-light slice of musical ambrosia whose ripples have reverberated throughout meditative muzak ever since, she has released just seven albums. "I'm amazed by how my fans have always stuck with me," she says, "not least because I am such a slow composer."
In a career now spanning four decades, Enya has very quietly shifted 75 million albums. She looks younger than her 54 years, and despite the grandeur of the setting - the Dorchester is a hotel popular among the world's wealthier individuals - she must be the most unlikely music superstar in operation today. In the flesh, she is birdlike and elegant in a trim white dress, understated jewellery dripping from her wrists and adorning several fingers. "I have just always been a very independent person." "I have never attempted to create an enigma," she says, gently but firmly. The smile I had anticipated never quite reaches her lips, and from beneath her raven hair she appraises me quizzically with Bambi eyes. Presumably, I ask, this is precisely how she likes it? No matter how much one reads about the so-called Queen of New Age music - she sings in English, Latin and Gaelic, and always as if in the midst of a blissful daydream - the woman herself remains steeped in mystery. I am sitting on a plump sofa in the Dorchester hotel facing Enya, whose own sofa is quite rightly even plumper, and I tell her that, having read up on her these past few days, I have come to the conclusion that she is that rarest of things: a genuine enigma.
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